Just look at nature around and view how beautiful it can be. The speaker compares the sunlight on the buildings to the light that shines on the countryside, and he seems surprised to feel more at peace in the bustling city than he has anywhere else. This purity and tranquillity is further emphasised by. The poet is deeply moved by the beauty of the scene. John's College in Cambridge and before his final semester, he set out on a walking tour of Europe, an experience that influenced both his poetry and his political sensibilities. While was taken with the glory of nature, that does not mean to say that he was unaware of the beauty offered in other places as well.
The rhyme scheme of the poem is abbaabbacdcdcd. Most lines follow a pattern of five pairs of unstressed and stressed beats. Sonnets tend to have 14 lines and a regular rhyme scheme, and this poem follows that pattern, although not strictly. The starting line itself gives ample evidence for his mastery over the language. He immediately wrote a poem reflecting his personal feelings, perceptions and fascinations.
Figurative Language Now let's turn to poem's language. The reason undoubtedly lies in its great simplicity and beauty of language, turning on Dorothy's observation that this man-made spectacle is nevertheless one to be compared to nature's grandest natural spectacles. He personifies the city as a human wearing beautiful clothes. There are some similarities and differences in the two poems, and these create different atmosphere even though both poems are about nature. The poet gives earth human feature by saying that the earth shows him the scenery, where as he is seeing the scenery himself. You may like to compare Upon Westminster Bridge to London by William Blake. This poem also contains examples of personification, which assigns human characteristics to non-human objects.
This suggests that the city is using nature to become perfected. In lines 3-4, the word mark is used three times to describe the facial expression of people. A lot of additional information is also incorporated for the advanced learners. It features a speaker sharing his impressions of the view from, you guessed it, Westminster Bridge. His description about the beauty of nature is wonderful.
The simplified beauty of London in the early morning is stating that London itself is a regal entity, but only when it is empty of the people that sully it. This shows that he was certain in his view that one day or the other day, the society would surely wake up, with social consciousness. The speaker starts out with a huge exaggeration: of the scene before him, 'Earth has not anything to show more fair. For the brief time between sunrise and the beginning of the workday, the speaker feels 'a calm so deep. They both wrote their poems during the Age of Romanticism, seven years apart. SubjectThe poem is about the experience of crossing Westminster Bridge early in the morning and seeing the calmness and beauty of the city of London.
Never did sun more beautifully steep In his first splendour valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! The very houses seem to be sleeping. For over three generations, the Academy has connected millions of people to great poetry through programs such as National Poetry Month, the largest literary celebration in the world; Poets. Historical Background We mounted the Dover Coach at Charing Cross. William Wordsworth died at Rydal Mount on April 23, 1850, leaving his wife Mary to publish The Prelude three months later. He thanks God for such a rare experience.
And by making her wear the garment of the morning beauty, he wants to make the city look more attractive. Also, the City herself seems alive. The first eight lines praise the beauty of London in the early morning light, as the poet stands on Westminster Bridge admiring the surrounding buildings. The meter, or rhythm, of this poem is loosely Iambic pentameter. At regular intervals, the poet intersperses commas, semi-colons, and exclamation points seemingly at random, thus giving the poem a forced method of reading. This means he feels that particular river is more aggressive and heavier than other rivers. That beauty gives him so much pleasure that he personifies the city, and he imagines that the city wears the beauty of the sun-lit morning like a garment.
But at the same time, he had faith as well as confidence with the society. But these man-made marvels have yet to come to life in the early morning. Never did sun more beautifully steep In his first splendor, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! I chose this theme because I really enjoy fantasy and it inspires me, and it's a subject filled with wondrous surprises. The poet William Wordsworth was greatly charmed by the early morning scene of London watched from a coach while crossing the Westminster Bridge on the way to Dover on 31 st July, 1802. Everything of the city such as ships, towers, domes, theaters, temples etc is clearly visible even from the green fields that lie in distance in the unpolluted air of the early morning. Never did sun more beautifully steep In his first splendour, valley, rock, or hill; Ne'er saw I, never felt, a calm so deep! A close look at his poem, however, reveals that this is much more than a celebration of the achievements of industrial civilization. While living in France, Wordsworth conceived a daughter, Caroline, out of wedlock; he left France, however, before she was born.
He was deeply disturbed by the ways and acts of people. The poet personifies the houses as people who are still asleep in the early morning. The sun has just come out. While touring Europe, Wordsworth came into contact with the French Revolution. One can generalize a statement of a pattern that develops as the matrix goes on. He used the poetic devices to.
It compares of houses to a creature that sleeps. Remember that the speaker is observing a momentary scene apart from the hustle and bustle of the city. This created a different atmosphere in the two poems even though they were. He goes on to describe the way that the river which he personifies glides along at the slow pace it chooses. For example: A sight so touch ing in its ma je sty.