Ultimately, Whitman makes the point that the body and the soul are inextricably intertwined and therefore, devaluing or mistreating the body is also a crime against the soul. In your struggle you may fail and end up reverting back to a routine, the thing you tried to separate yourself from and the last resort is pray. Whitman is my daddy, Monaco's my mother, Diamonds are my bestest friend. And if the body were not the Soul, what is the Soul? Do you think matter has cohered together from its diffuse float—and the soil is on the surface, and water runs, and vegetation sprouts, For you only, and not for him and her? I kind of found people for myself. Romanticism is the main influence of the poem as shown in the diction of the words myself and mystical. The United States was already fraying at the seams, pulled apart by debates over slavery and states' rights that would erupt a half-decade later into the Civil War.
For Whitman, the body has primacy in its ability to generate experience, which can be compared metaphorically to the generation of children. I dare not desert the likes of you in other men and women, nor the likes of the parts of you, I believe the likes of you are to stand or fall with the likes of the soul, and that they are the soul, I believe the likes of you shall stand or fall with my poems, and that they are my poems, Man's, woman's, child, youth's, wife's, husband's, mother's, father's, young man's, young woman's poems, Head, neck, hair, ears, drop and tympan of the ears, Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or sleeping of the lids, Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the jaw-hinges, Nose, nostrils of the nose, and the partition, Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue, Strong shoulders, manly beard, scapula, hind-shoulders, and the ample side-round of the chest, Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones, Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger, finger-joints, finger-nails, Broad breast-front, curling hair of the breast, breast-bone, breast-side, Ribs, belly, backbone, joints of the backbone, Hips, hip-sockets, hip-strength, inward and outward round, man-balls, man-root, Strong set of thighs, well carrying the trunk above, Leg-fibres, knee, knee-pan, upper-leg, under-leg, Ankles, instep, foot-ball, toes, toe-joints, the heel; All attitudes, all the shapeliness, all the belongings of my or your body or of any one's body, male or female, The lung-sponges, the stomach-sac, the bowels sweet and clean, The brain in its folds inside the skull-frame, Sympathies, heart-valves, palate-valves, sexuality, maternity, Womanhood, and all that is a woman, and the man that comes from woman, The womb, the teats, nipples, breast-milk, tears, laughter, weeping, love-looks, love-perturbations and risings, The voice, articulation, language, whispering, shouting aloud, Food, drink, pulse, digestion, sweat, sleep, walking, swimming, Poise on the hips, leaping, reclining, embracing, arm-curving and tightening, The continual changes of the flex of the mouth, and around the eyes, The skin, the sunburnt shade, freckles, hair, The curious sympathy one feels when feeling with the hand the naked meat of the body, The circling rivers the breath, and breathing it in and out, The beauty of the waist, and thence of the hips, and thence downward toward the knees, The thin red jellies within you or within me, the bones and the marrow in the bones, The exquisite realization of health; O I say these are not the parts and poems of the body only, but of the soul, O I say now these are the soul! He writes admiringly about a specific farmer with five sons. The mans body is sacred, and the womans body is sacred; No matter who it is, it is ; Is it a slave? The soul and the body are inextricably linked for Whitman. Who might you find you have come from yourself, if you could trace back through the centuries? Masculine Landscapes: Walt Whitman and the Homoerotic Text. For they do not conceal themselves, and cannot conceal themselves.
Examine these limbs, red, black, or white, they are cunning in tendon and nerve, They shall be stript that you may see them. There is something in staying close to men and women, and looking on them, and in the contact and odor of them, that pleases the soul well; 50 All things please the soul--but these please the soul well. How do you know who shall come from the offspring of his offspring through the centuries? The expression of the face balks account, But the expression of a well-made man appears not only in his face, It is in his limbs and joints also, it is curiously in the joints of his hips and wrists, It is in his walk, the carriage of his neck, the flex of his waist and knees, dress does not hide him, The strong sweet quality he has strikes through the cotton and broadcloth, To see him pass conveys as much as the best poem, perhaps more, You linger to see his back, and the back of his neck and shoulder-side. And if those who defile the living are as bad as they who defile the dead? As with the other poems in that edition, it appeared without a title. Sexuality is part of common humanity, and Whitman ignores pretenses in order to reach to the universal truths of human identity, including the truths of the body.
Heaven is my baby, suicide's her father, Opulence is the end. It is the name of the 100th Twilight Zone episode. Another famous beauty, Hollywood's Grace Kelly, married the prince of Monaco, becoming a Princess and such became a fantasy for American girls. It doesn't seem possible, though, to find a woman who must be ten times better than mother in order to seem half as good, except, of course, in the Twilight Zone. That being said, Whitman's tone becomes more intimate and his prose more admiring when he describes the male physique. This kind of intense connection between people is the goal of Whitman's poetry. Section 8 Repetition - L17, L18, L19 Repetition of question Repetition In section nine there is a heavy use of repetition.
I do not ask any more delightI swim in it, as in a sea. The numbers 1001001 are binary code for the capital letter 'I'. He points out that no one can know what these bodies will eventually be capable of creating especially since children of slaves automatically became slaves as well. But in this section as he is just listing the parts of the body there is virtually no use of metaphor. This was the showcase song at the end of the 1980 movie Fame, where it was performed by the students at the New York City High School for the Performing Arts.
Is it one of the dull-faced immigrants just landed on the wharf? Have you seen the fool that corrupted his own live body? Neither you, nor the coeditors you shared it with will be able to recover it again. All is a procession; The universe is a procession, with measured and beautiful motion. This is yet another poem of lists, which again imply a democratizing force at work. In his resignation at the end of the poem, and in his use of disconnected motifs, he suggests that the kind of ceremonial poetry a pastoral elegy represents may no longer have a place in society; instead, symbolic, intensely personal forms must take over. Summary The poem directly addresses the successive themes in Whitman's poems. Readers could take this subtle difference as an indication of Whitman's sexual preference - many historians have hypothesized that the poet was attracted to other men. Seen from this perspective, the poem is an assertion by the poet, to himself, that the sexual hungers which gnaw at him—hungers that we today recognize as an attraction to men—are legitimate because the body is so electric, so filled with a vital energy that attracts and a galvanic current that flows.
He has a very detailed style, going very in depth about each body part. Examine these limbs, red, black, or whitethey are cunning in tendon and nerve; They shall be stript, that you may see them. Whitman also manages to weave a political message into his celebration of the human body. Have you seen the fool that corrupted his own live body? This was a somewhat radical point of view during Whitman's time, when women were generally accepted to be socially inferior to men. As I see my soul reflected in Nature, As I see through a mist, One with inexpressible completeness, sanity, beauty, See the bent head and arms folded over the breast, the Female I see.
Chicago: U of Chicago P, 1966. Was it doubted that those who corrupt their own bodies conceal ; And those who the living are as bad as they who the dead? It attracts with fierce undeniable attraction. These are highly individualistic men and women. If any thing is sacred the human body is sacred, And the glory and sweet of a man is the token of manhood untainted, And in man or woman a clean, strong, firm-fibred body, is more beautiful than the most beautiful face. Have you ever loved the Body of a? Sections seven and eight take place at a slave auction.
For they do not conceal themselves, and cannot conceal themselves. Examine these limbs, red, black, or white—they are so cunning in tendon and nerve; They shall be stript, that you may see them. However, it is time for Grandma to move on to another family as she is apparently not needed anymore. The images of the video offer a new perspective on the poem; connecting nature to the body as opposed to only the perfection of the body. Sometimes with One I Love by Walt Whitman Poetry Foundation agenda angle-down angle-left angleRight arrow-down arrowRight bars calendar caret-down cart children highlight learningResources list mapMarker openBook p1 pin poetry-magazine print quoteLeft quoteRight slideshow tagAudio tagVideo teens trash-o.